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Shared mistakes, mutual healing: How Allama Iqbal’s Jibreel-o-Iblees connects Khushbakht, Zaryab as their journey to grace begins in Dar-e-Nijaat

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With Abu Bakr (Sheheryar Munnawar) and Zaryab (Dur-e-Fishan Saleem) in love, the visual details, such as Khushbakht (Sania Saeed), hold immense meaning. As the drama serial moves towards the buried truths of Khushbakht’s life with Zaryab’s emotional surrender, the attention is drawn to a subtle yet profound symbol resting on the wall behind the two women: a framed excerpt of Allama Iqbal’s poetry. The calligraphy displays the concluding couplets of Iqbal’s celebrated philosophical dialogue, Jibreel-o-Iblees (Gabriel and Satan). Within the poem, Satan addresses the Angel Gabriel, claiming credit for injecting turbulence, passion, and moral struggle into human existence. By tempting Adam and leading humanity astray, Satan argues, he transformed a static existence into a vivid saga of heartbreak, free will, and redemption.

Placed deliberately in Khushbakht’s space, those verses serve as the thematic key to the entire narrative. Both Khushbakht and Zaryab are women whose lives were altered after whispers of temptation led them astray, and both endured the heavy consequences of their missteps. Decades earlier, Khushbakht succumbed to an impulsive decision that severed her from her family. Choosing a path away from those who loved her, she spent the remainder of her life bearing the silent burden of estrangement, regret as a terminal illness took over her. Years later, Zaryab walked a strikingly parallel road; blinded by pride and ensnared by Zamil’s (Nameer Khan) deceit, she dismissed every voice of reason until her world collapsed, leaving her isolated and consumed by bitterness.

This shared history of falling from grace forms the foundation of their unspoken bond. With the one instance of the two standing beside the picture, it shows that Khushbakht does not see Zaryab as a defiant or broken young woman; she sees a reflection of her own youth. Their connection requires little explanation because both have survived the same spiritual storm. As for Zaryab, the revelation of her suffering from cancer begins her journey of caring for her with genuine tenderness. Their relationship becomes a tool for mutual healing; Zaryab restores warmth, companionship, and familial affection to Khushbakht, as Khushbakht had been the silent strength through her mourning.

Dar-e-Nijaat, however, refuses to allow Satan’s boast in Iqbal’s poem to dictate their final destiny. While temptation derailed Khushbakht’s youth, her lifelong repentance, endurance, and faith reshaped her legacy and ultimately became Zaryab’s lifeline. Out of the ashes of her own sorrow, Khushbakht raised an extraordinary man, her son. Abu Bakr stands in stark contrast to Zamil. Defined by patience, integrity, spiritual grounding, and quiet dignity, he embodies the values his mother cultivated through decades of reflection. By raising a man of Abu Bakr’s character, Khushbakht inadvertently built the exact sanctuary Zaryab needed to survive her darkest hour. When Zaryab drowned in shame and despair, Abu Bakr offered unwavering grace without judgment, steadily guiding her back to self-worth and inner peace.

With life coming full circle, the two women stand with redemption coming into sharp focus. Khushbakht and Zaryab saved one another in ways no one else could; Zaryab soothed the quiet ache of Khushbakht’s lonely heart, while Khushbakht rescued Zaryab through the righteous son she nurtured. Together, their journey affirms that even when the devil’s whisper detours a soul, sincere repentance and the right companionship can always open the door to true salvation.

The sequence where the two women share a soft moment has gone viral as well as netizens debate redemption and connection. Pointing out how both can stand in each other’s shoes, a netizen posted on X and said:

Elaborating how the visuals show how people’s virtue is tested, a netizen stated:

Another stated that the symbolism is strong and posted:

One added:

 

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